Consummate, and people can't find any shortcomings. In the decades that American TV dramas have been rampant in the world, no matter how classic albums are, there will inevitably be procrastination, trickery, boring scenes, repeated plots, shifting themes, and top-heavy situations. And this is not only the inevitable dilemma of longevity dramas, but also a problem that is difficult to avoid only in a single season. But "Emily in Paris" does not have these shortcomings.
All the plot lines stop when they stop, and they will not bulk sms service spend space to create foreshadowing because they want the audience to "look forward to the follow-up". Lily Collins' new drama to experience the cultural differences between the United States and France Emily in Paris | Photo Credit: Netflix Like the romance between Emily and Chef Normandy, although it is as unclear as a romantic drama, because the perspective only focuses on Emily, it does not seem to be sloppy. For example, at the end of the show, when Emily is busy with Pierre Carden solving the fashion show problems, the chef's romance appears to be non-existent (even if the chef still appears), and the audience's focus turns to the fashion battle. This is a great trick. It should be said that this is an arrangement that can only
Appear in the era of Internet dramas. In the past, the weekly broadcast method made all the writers and directors have to leave a foreshadowing in order for the audience to follow. But Netflix doesn't need the loyalty of chasing dramas. It only needs to watch the episodes so that people can watch every episode, and then they can get the click rate, and they can create this kind of work. Another amazing operation of the director is to use French elements. The play is full of very typical stereotypes, showing all the positive and negative impressions of Paris in the most unpolished way: shit everywhere, the arrogance of Parisians, French women who only smoke at noon without eating, disdain to speak English,